Recent Work

Narrative

CHASING TIME

 Director: Michael Lawrence
DP: Thomaz Labanca

Arri Alexa35 Xtreme, 4.6K 16:9. 2.39:1 Spherical (Zeiss Superspeed MKII)

Feature.  Preshoot: 1 week, Stawell & Grampians, Victoria.

first assistant camera 'a'

WILDERNESS

 Director: Martin McKenna
DP: Ellery Ryan ACS

Sony Venice 2, 8.6K 3:2. 2.39:1 Cinemascope Sph. (Zeiss Supreme Primes)

Feature.  Principal photography: 6 weeks, Melbourne & High Country Victoria.

first assistant camera 'b'
Melbourne International Film Festival Selection 2026 (World Premiere)
CinefestOZ Selection 2026

THE TWELVE (Series 3)

Easytiger Productions.  Director: Madeleine Gottlieb (Ep. 1-3, 5-8) & Emma Jackson (Ep. Ⅳ)
DP: Marden Dean ACS (Block Ⅰ) & Edward Goldner ACS (Block Ⅱ)

Alexa 35, ProRes 4444. 4.6K 16:9 Aspect Ratio 1:85:1 Sph. (Arri Ultra Primes)

TV Series for Stan.  Principal photography: 14 weeks, Perth & South-west, W.A.

first assistant camera 'b'

THE TRAVELLERS

Ambience Entertainment.  Director: Bruce Beresford
DP: Peter James ACS ASC

Alexa 35, ProRes 4444. 4.6K 3:2 Open Gate Aspect Ratio 1:85:1 Sph. (Panavision Primo Noir)

Feature.  Principal photography: 5 weeks, Perth & York, W.A.

first assistant camera 'b' / ronin

SCRUBLANDS: SILVER

Easytiger Productions.  Director: Ben Young
DP: Mick McDermott ACS

Alexa 35, ProRes 4444. 4K Aspect Ratio16:9 Spherical (Cooke S4 Primes)

TV Series for Stan.  Principal photography: 7 weeks, Augusta & Perth, W.A.

first assistant camera 'b' / steadicam

THE SURVIVORS

Tony Ayers Productions.  Directors: Cherie Nowlan (Block 1) & Ben C. Lucas (Block 2)
DP: Mark Wareham ACS (Block 1) & Dan Freene ACS (Block 2)

Alexa 35, ARRIRAW HDE, 3.3K 6:5 4K Aspect Ratio 2:1, Spherical + Anamorphic (Panavision 'T' Series, 'C' Series, Panavision Ultra Speeds)

TV Series for Netflix.  Principal photography: 13 weeks, Tasmania & Docklands Studios Melbourne.

first assistant camera 'b'

____________________________

2023

DON'T TELL MOTHER

Eastreel films.  Director: Anoop Lokkur, DP: Matthew Jenkins.

Alexa Mini, ARRIRAW, 3.2K Open Gate. Spherical. (Sigma Cine)

Independent Feature. Principal photography: 8 weeks, Bangalore - India.

first assistant camera / ronin
Busan International Film Festival Selection 2025 (World Premiere)

SCRUBLANDS (Series 1)

Easytiger Productions.  Director: Greg McLean, DP: Marden Dean ACS.

Alexa 35, ProRes 4444.  Aspect ratio 2:39:1 4.6K Open Gate.  Spherical. + Anamorphic (Zeiss SS + Cooke Xtal)

Mini Series for Stan.  Principal photography: 6 weeks, Regional Victoria.

'a' first assistant camera / steadicam

____________________________

 2022

FEAR BELOW

Bronte Pictures. Director: Matthew Holmes, DP: Peter Szilveszter.

Sony Venice 2, X-OCN, 8.2K 17:9. Aspect ratio: 2:39:1. Spherical. (Cooke Panchro Classic)

Independent Feature. Principal photography: 12 weeks, Regional Victoria + Queensland.

'a' first assistant camera / steadicam
Monster Fest 2024 Award: Best Australian Feature

____________________________

2021

KANGAROO VALLEY

Ample Entertainment.  Director: Kylie Stott, DP: Benjamin Cunningham ACS

RED Monstro, 6K RC 6:1.  Aspect ratio 16:9.  Spherical. (Canon CN-20 Zoom)
Feature Documentary for Netflix.

Pickups shoot: 1 week, Melbourne.

camera operator

STORIES FROM OZ

Big Story Productions.  Director: Max Miller, DP: Sherwin Akbarzadeh.

Alexa Mini, ProRes 4444, 3.2K Open gate.  Aspect ratio 2:39:1  Ana. (Cooke 2x Anamorphic /i)

TV Series for ABC. Principal photography: 5 weeks, Melbourne.

first assistant camera 'b' / steadicam

SURVIVING SUMMER (Series 1)

Werner Productions.  Director: Ben Chessell, DP: Katie Milwright ACS.

Sony Venice, X-OCN, 6K 17:9. Aspect ratio 1:78:1 Sph. (Gecko Genesis G35 Vintage '66)

TV Series for Netflix. Principal photography: 10 weeks, Regional Victoria.

first assistant camera 'b' / steadicam

JACK IRISH (Series 3)

Easytiger Productions.  Director: Greg McLean, DP: Marden Dean ACS.

Sony Venice, X-OCN, 4K 6:5. Aspect ratio 2:1  Ana. (Atlas Orion 2x Anamorphic)

TV Series for ABC. Principal photography: 8 weeks, Melbourne.

first assistant camera 'b'

____________________________

2020

SHIT

Watch Pocket.  Directors: Susie Dee & Trudy Hellier, DP: Sky Davies.

Red Weapon Monstro, 6.5K RC 2:1 Aspect ratio 16:9 Sph. (Zeiss Superspeeds)

Independant Feature. Principal photography: 2 weeks, Melbourne.

first assistant camera

ROAD TO BOSTON

Hipwell Entertainment. Director: Je Kyu Kang, DP: Chanmin Choi.

Alexa XT + Alexa Mini, ProRes 4444, Aspect ratio 1:78:1 Sph. (ARRI Master Primes)

South Korean Feature. Australia Shoot: 4 weeks, Regional Victoria.

first assistant camera: australia

____________________________

2019

MYSTERY ROAD  (Series 2)

Bunya Productions.  Directors: Warwick Thornton & Wayne Blair, DP: Warwick Thornton.

Alexa Mini, ProRes 4444, Aspect ratio 16:9 Sph. (Angenieux Zooms + ARRI Master Primes)

TV Series for ABC. Principal photography: 12 weeks, Regional Western Australia.

'a' first assistant camera

MY LIFE IS MURDER  (Series 1)

Worldwide Productions.  Director: Leah Purcell, DP: Matthew Temple.

Alexa Mini, ProRes 4444, Aspect ratio 16:9 Sph. (ARRI Master Primes)

TV Series. Principal photography: 13 weeks, Melbourne.

first assistant camera 'b' / steadicam

____________________________

2018

BAD MOTHERS

Nine network.  Director: Geoff Bennett, DP: John Stokes ACS.

Sony Venice, X-OCN 17:9, Aspect ratio 16x9 (Supreme Primes)

TV Series, Principal photography: 10 weeks, Melbourne.

'a' first assistant camera

THE INBESTIGATORS

Gristmill Productions.  Director: Wayne Hope, DP: Dan Maxwell.

Alexa Mini, ProRes 4444, Aspect ratio 16x9

TV Series, Principal photography: first 6 weeks only, Melbourne.

first assistant camera 'b'

BLOOD VESSEL

Wicked of Oz.  Director: Justin Dix, DP: Sky Davies.

RED Weapon, 8K RC 3:1, Aspect ratio 2:1 (Zeiss Superspeeds)

Independant Feature, Principal photography: 4 weeks, Melbourne.

first assistant camera